2023: Bitacora Rosa: LGTBQI US Latinx Fotografia, Video, Internet, Instalaci0n, Performance y Arte Publico, CAMINO REAL. Estudios de las Hispanidades            Norteamericanas / Queer Corazoon: Theorizing Love, Sex, and the Body. Volume 15, Issue 18, Editorial de la Universidad de Alcala, Spain.
2023: A Queer Case of Whitewashing, 11:Eleven Gallery, Bits and Bobs Blog, Washinton DC, USA.
2022: Estrangement, Latino Book Review, USA.
2021: Navigating Africana Mexican Diaspora Territories: Elizabeth Catlett and Sergio Sánchez Santamaría, Graphic in Transit: Sergio Sánchez Santamaría, Miguel            Rojas-Sotelo and Rafael Osuba, eds., ASP Book publishing, Durham, North Carolina, USA.
2019: Epistola Confesional a Sor Juana Ins de la Cruz o la Encarnacion de Argumentos y Fabulas en Relatos Imaginados, Aztlan: Journal of Chicano Studies, No. 2,            Fall, Chicano Studies Research Center, UCLA, Los Angeles, California.
2019: Aestesis Decolonial Transmoderna Latinx_MX, Fondo Nacional para la Cultura y las Artes (FONCA)- Instituto Kanankil A.C., CDMX-Merida, Mexico.
2018: Imaginarios Creativos y Soberania Erotica Decolonial, Editorial En cortito que 's pa largo and Instituto Kanankil A.C. Queretaro-Merida, Yucatan, Mexico.
2018: Narrating Our Histories: Selections from a dialogue among Queer Media Artists From the African Diaspora,
           Sisters in the Life: A History of African American Lesbian Media-Making, Yvonne Welbon and Alexandra Juhasz, editors,
           Duke University Press, Durham, North Carolina, United States.
2018: Imaginarios y Estrategias Decoloniales, Estudios Artísticos: revista de investigación creadora, No. 4, January-June,
           Bogota, Colombia.
2017: Los Aguacates, Sureste. Antología de cuento de la Península, Carlos Martín Briceño, ed., Mexico DF – Cancun,
           Quintana Roo: Ficticia Editorial and Universidad Politecnica de Quintana Roo, Mexico.,
2017: Pedagogias Creativas Insurgentes, in Pedagogias decoloniales. Practicas insurgentes de resistir, (re)existir y (re)vivir, Tomo II,
           Catherine Walsh (ed.), Quito: Ediciones Abya-Yala, Ecuador.
2015: Navegar rutas erotica decoloniales rumbo a relatos de origenes karibeños, in Andar Erotico Decolonial,
           Raul Moarquech Ferrera-Balanquet, ed., Ediciones del Signo, Buenos Aires, Argentina.
2015: Sirena Navigating El Caribe Cimarron: Decolonial Queer Writing and Ancestral Memory, in Interrogando los limites del texto.
           Ensayos de critica literaria, Shrimpton Masson, Margaret and Ortega Arango, Oscar, eds., Merida:
           Ediciones de la Universidad Autonoma de Yucatan, Mexico.
2014: Aiesthesis Descolonial Transmoderna, Practicas Artisticas e Imaginarios Sociales: X Bienal de La Habana, Montes de Oca Moreda,
           D. Fernandez Torres, Lopez Rodriguez, B. V, Portela, J. (eds), Centro de Arte Contemporaneo Wifrido Lam, Havana, Cuba.
2013: Writing the Decolonial Mariposa Ancestral Memory, Caribbean InTransit, Issue 4, Virgina, USA.
2013: Decolonial AestheSis at the 11th Havana Biennial, Decolonial AestheSis, Periscope / Social Text Journal, New York, USA.
2013: Connecting the Self to the La Habana Independent Media Workshop, Connecting La Havana, Lucrezia Cipitelli, Editor, Digicult Editions, Milan, Italy.
2012: Décolonialité et Expérience Esthétique: Une Approximation (a collaboration with five artists), Inter Art Actuel, No. 111, Quebec, Canada.
2011: Decolonial Aesthetics: Collective Creative Practice in Progress, Raul Moarquech Ferrera-Balanquet and Miguel Rojas Sotelo, Eds., IDEA arts + society,
           #39, Cluj, Romania.
2010: Decolonial Aesthetics: A Collective Manifesto, Transnational Decolonial Institute at Duke University, May.
2010: Sentidos, conocimiento y creatividad, SalonKritik, Madrid, Spain, June.
2010: Merida T’Ho_MX: Exploring Locative Media in a Latino Territory, Public No. 40, Toronto, Canada.
2009: Territorios en Desafio: La Subjetividad Historica, Escaner Cultural, Santiago de Chile, Chile.
2009: Los Teoricos Hablan sobre la Bienal, La Jiribilla, Revista de Cultura, Cubana, Abril.
2009: Rupturas (des)generadas para un acto subversivo, Arte Cubano 3-4, La Habana, Cuba.
2009: Metropolis Transmigratorias: Merida_MX and Los Angeles_Aztlan, Bienal de La Habana para leer, Universitat de Valencia, Spain.
2009: Arte Nuevo InteractivA: The Social Engineering of a Curatorial Project in Merida_MX, Integracion y Resistencia en la Era Global,
           Evento Teorico Decima Bienal de La Habana, Centro de Arte Contemporaneo Wifredo Lam, La Habana, Cuba.
2009: Intercepting heteropatriarchy colonial normative: Latin@s Queer Media Artists and their works, Decolonizing the Digital / Digital Decolonization,
           Worlds and Knowledges Otherwise, Volume 3, Dossier 1, Center for Global Studies and the Humanities, Duke University, Durham, North Carolina, USA.
2008: Videoarte transnacional Latino en EEU-Canada: 1960-2007, Video en Latinoamerica; Una vision critica, Editorial Brumaria, Madrid, Spain.
2006: Vititi Infanda, A fragment from a novel in progress, Cosmic Transformer, GUESTROOM Issue # 5, London- Munich.
2006: Variable Geometrica de la Pedagogia Interdisciplinaria, La Otredad, Melba Alfaro ed., ICY / CYC / CAIYAC, Merida, Mexico.
2001: Curating New Media Arts in a Latin American Context, The Media Circus Reader, Rogue States, Spacestation Press, Melbourne, Australia.
1996: A Dialogue Among Media Makers From the African Diaspora, a collaboration with eleven artists, Ed. Ferrera-Balanquet, R. and Harris, Thomas A.,                        1996-Black International Cinema Publication, Berlin-New York City.
1994: Teaching Multiple Difference in a Video Production Class, Radical Teacher, Vol. 45.
1993: Multiplying Radical Difference: Reading Latino Lesbian and Gay Audiovisual Discourse, Art Papers, Vol. 17, No. 5, Atlanta, Georgia.
1992: The Videotapes of Latino Midwest Video Collective: A Manifest, Cinematograph, a journal of film and media art, Vol. 4, San Francisco, California.
1992: Point of Entry: Transmigrant Departure, Art Paper, Vol. 16, No. 1, Atlanta, Georgia.